— Adam Plouff

Archive
Premiere

An odd thing happens when you Dynamically Link an After Effects comp into a Premiere Pro sequence. The AE comp takes on the framerate/interlacing of the PP sequence. This is how you keep that from happening.

Or, how to force Premiere to render your animation how you designed it.

For a more in-depth look at Dynamic Link and other Premiere features check out chrisfenwick.com. He’s a smart dude.

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I’m in the process of switching from FCP to Premiere Pro 5.5. One of my biggest concerns was how it handled input and output from tape. Maybe people aren’t using tape that as much these days, but I (and most of the people I know) still finish to Digibeta or HDCam SR. I couldn’t find anything online about it so I just gave it a try. And made a video. It’s HD so I recommend watching a bit larger to actually see whats going on.

I’ve never made a screencast, so there are a lot of awkward pauses and UMMMMMs. Sorry about that. I’m sure I’ll get better. I hope.

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